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This research addresses a critical bottleneck in music generation by enabling language models to train on complete compositions rather than fragmented excerpts, thereby preserving essential long-range musical dependencies. The proposed Full-Horizon Compressed Recurrence (FHCR) framework achieves this efficiency through key-value representation compression, making whole-piece modeling feasible within standard GPU memory constraints. These findings advance the practical application of large-scale sequence modeling specifically for symbolic music structures.
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Whole-Piece Training for Symbolic Music Language Models via Full-Horizon Compressed Recurrence

arXiv2 min read

arXiv:2602.19816v3 Announce Type: replace-cross Abstract: For computational efficiency, modern language models are typically trained on independently sampled fixed-length sequences. Symbolic music language models largely inherit this paradigm, despite musical structure naturally unfolding over complete compositions rather than isolated excerpts. Fragmenting compositions into independent training instances therefore prevents continuous conditioning over the complete work. We present a practical framework for whole-piece training of symbolic music language models via Full-Horizon Compressed Recurrence (FHCR). FHCR preserves the full temporal horizon of recurrent memory while reducing the dimensionality of its key-value (KV) representation, making continuous whole-piece training practical under limited GPU memory. To directly assess functional long-range dependence, we introduce KV-Reset Context Utilization (KRCU), an evaluation-time diagnostic. On the MAESTRO symbolic piano dataset, KRCU shows that full-horizon models utilize context far beyond the local segment window, whereas reducing the temporal extent of recurrent memory substantially weakens this measurable long-range dependence. FHCR preserves long-range context utilization while substantially reducing recurrent memory cost. These findings show that preserving the temporal extent of recurrent history is important for efficient whole-piece modeling, and that memory cost can instead be reduced through KV representation compression. The project demos and generated music samples are available at https://wholemusic.github.io.

Abstract:For computational efficiency, modern language models are typically trained on independently sampled fixed-length sequences. Symbolic music language models largely inherit this paradigm, despite musical structure naturally unfolding over complete compositions rather than isolated excerpts. Fragmenting compositions into independent training instances therefore prevents continuous conditioning over the complete work. We present a practical framework for whole-piece training of symbolic music language models via Full-Horizon Compressed Recurrence (FHCR). FHCR preserves the full temporal horizon of recurrent memory while reducing the dimensionality of its key-value (KV) representation, making continuous whole-piece training practical under limited GPU memory. To directly assess functional long-range dependence, we introduce KV-Reset Context Utilization (KRCU), an evaluation-time diagnostic. On the MAESTRO symbolic piano dataset, KRCU shows that full-horizon models utilize context far beyond the local segment window, whereas reducing the temporal extent of recurrent memory substantially weakens this measurable long-range dependence. FHCR preserves long-range context utilization while substantially reducing recurrent memory cost. These findings show that preserving the temporal extent of recurrent history is important for efficient whole-piece modeling, and that memory cost can instead be reduced through KV representation compression. The project demos and generated music samples are available at this https URL.

Sound (cs.SD); Artificial Intelligence (cs.AI); Machine Learning (cs.LG)

arXiv:2602.19816 [cs.SD]

(or arXiv:2602.19816v3 [cs.SD] for this version)

https://doi.org/10.48550/arXiv.2602.19816 Focus to learn more arXiv-issued DOI via DataCite

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Full text under the publisher's open licence · 291 words

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