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This study identifies "attribution decay," demonstrating that in sufficiently large-scale generative models, removing individual training examples or specific artists' works has no measurable impact on model outputs. Consequently, the researchers argue it is logically inconsistent to attribute any specific generated image to particular training data when the system operates at this scale. This finding fundamentally challenges current legal and ethical frameworks regarding artist credit and liability in AI-generated content.
Sources coveringMIT News, Quantum Frontiers, AI Alignment Forum, LessWrong
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When AI art has no author: Study finds generated images often can’t be traced to training data

MIT News8 min read

A new method for surgically removing training examples from a model reveals that as datasets grow, the link between what a model learns and what it produces dissolves.

When an artificial intelligence image generator produces a portrait, whose work went into it? The question sits at the center of lawsuits, licensing deals, and proposed regulations worldwide. Artists want credit. Companies want clarity. Policymakers want a way to assign responsibility. New work from a team of researchers at MIT's Computer Science and Artificial Intelligence Laboratory (CSAIL) suggests that for models trained on large datasets, the question may often have no answer. It's not that the tools for finding it are inadequate. The connection itself has disappeared. The scientists identified a phenomenon they call attribution decay, where the more data a generative model is trained on, the less any individual training example matters to any particular output. It feels counterintuitive, but at sufficiently large scales, they find, you can often remove any single image from the training data, or every image by a given artist, or every…

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