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TuneJury presents a significant advancement in text-to-music generation by introducing an open, instance-level reward model designed specifically for preference alignment. By leveraging diverse human-preference datasets including expert ratings and crowdsourced comparisons, it offers a calibrated metric that improves downstream tasks like inference-time selection and latent optimization without requiring retraining from scratch. This work addresses the critical need for standardized evaluation metrics in generative audio models to ensure outputs align with human aesthetic standards.
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TuneJury: An Open Metric for Improving Music Generation Preference Alignment

arXiv2 min read

arXiv:2606.17006v1 Announce Type: cross Abstract: We introduce TuneJury, an open, instance-level pairwise reward model for text-to-music that predicts a music preference score from a text prompt and an audio clip. The released checkpoint is trained on publicly available human-preference labels covering arena-style (A vs. B) votes, metric-alignment preference pairs, crowdsourced pairwise comparisons, and expert aesthetic ratings. The predicted score margin between two clips is well calibrated on our held-out test split, supporting data filtering via a simple score threshold. TuneJury generalizes to both held-out test pairs and out-of-distribution benchmarks, remaining competitive with prior baselines on the latter. For generators released after training, we introduce anchor calibration, a post-hoc, per-system Bradley-Terry calibration that recovers agreement at substantially better data efficiency than from-scratch retraining. The same frozen reward drives consistent reward-axis gains across three downstream applications: inference-time best-of-N selection, DITTO-style latent optimization, and expert-iteration post-training. TuneJury is available at https://github.com/yonghyunk1m/TuneJury.

Abstract:We introduce TuneJury, an open, instance-level pairwise reward model for text-to-music that predicts a music preference score from a text prompt and an audio clip. The released checkpoint is trained on publicly available human-preference labels covering arena-style (A vs. B) votes, metric-alignment preference pairs, crowdsourced pairwise comparisons, and expert aesthetic ratings. The predicted score margin between two clips is well calibrated on our held-out test split, supporting data filtering via a simple score threshold. TuneJury generalizes to both held-out test pairs and out-of-distribution benchmarks, remaining competitive with prior baselines on the latter. For generators released after training, we introduce anchor calibration, a post-hoc, per-system Bradley-Terry calibration that recovers agreement at substantially better data efficiency than from-scratch retraining. The same frozen reward drives consistent reward-axis gains across three downstream applications: inference-time best-of-N selection, DITTO-style latent optimization, and expert-iteration post-training. TuneJury is available at this https URL.

Sound (cs.SD); Artificial Intelligence (cs.AI); Machine Learning (cs.LG); Multimedia (cs.MM); Audio and Speech Processing (eess.AS)

arXiv:2606.17006 [cs.SD]

(or arXiv:2606.17006v1 [cs.SD] for this version)

https://doi.org/10.48550/arXiv.2606.17006 Focus to learn more arXiv-issued DOI via DataCite (pending registration)

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Full text under the publisher's open licence · 251 words

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