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This study applies machine learning models within the COMSAR framework to analyze psychoacoustic features of the Chinese hulusi, successfully clustering instruments and pitches based on spectral centroid, sharpness, and fractal correlation dimension. The research demonstrates how self-organizing maps can effectively map chaoticity in audio transients to distinguish pitch ranges, offering a novel application of unsupervised learning in digital signal processing for musical acoustics.
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Timbre Analysis of the Hulusi, a Southwestern Chinese Free-Reed Instrument, using Machine Learning

arXiv2 min read

arXiv:2609.17612v1 Announce Type: cross Abstract: The hulusi is a wind instrument that was invented in Yunnan Province, China, and has become tremendously popular in recent years. It consists of a mouthpiece, a gourd, and three bamboo tubes, all with free reeds made of copper. The main bamboo tube in the middle has seven finger holes. In this instrument, the pipe length, not the free reed's eigenfrequency, determines the instrument's pitch, unlike, for example, with the Western accordion or the blues harp. In this study, a machine learning model implemented in the COMSAR framework (https://github.com/ifsm) was used to investigate the timbre characteristics of the \emph{hulusi} to cluster different instruments and pitches. The measured \emph{hulusi} pitches C, B, A, G, and F were analyzed according to seven psychoacoustic features, among which only the spectral centroid, sharpness, and fractal correlation dimension are shown to form pitch clusters. These timbre features were used to train Kohonen self-organizing maps (SOMs) for clustering. Brightness and sharpness analysis revealed that the highest pitches were less bright and less sharp than mid- and low-range pitches were. Furthermore, the fractal correlation dimension, which mainly determines the chaoticity of the initial transients, was the best-clustering timbre feature for the hulusi, with the highest pitches showing the least chaoticity. This result is supported by defining a cluster quality index for the SOMs.

Abstract:The hulusi is a wind instrument that was invented in Yunnan Province, China, and has become tremendously popular in recent years. It consists of a mouthpiece, a gourd, and three bamboo tubes, all with free reeds made of copper. The main bamboo tube in the middle has seven finger holes. In this instrument, the pipe length, not the free reed's eigenfrequency, determines the instrument's pitch, unlike, for example, with the Western accordion or the blues harp. In this study, a machine learning model implemented in the COMSAR framework (this https URL) was used to investigate the timbre characteristics of the \emph{hulusi} to cluster different instruments and pitches. The measured \emph{hulusi} pitches C, B, A, G, and F were analyzed according to seven psychoacoustic features, among which only the spectral centroid, sharpness, and fractal correlation dimension are shown to form pitch clusters. These timbre features were used to train Kohonen self-organizing maps (SOMs) for clustering. Brightness and sharpness analysis revealed that the highest pitches were less bright and less sharp than mid- and low-range pitches were. Furthermore, the fractal correlation dimension, which mainly determines the chaoticity of the initial transients, was the best-clustering timbre feature for the hulusi, with the highest pitches showing the least chaoticity. This result is supported by defining a cluster quality index for the SOMs.

Sound (cs.SD); Machine Learning (cs.LG); Adaptation and Self-Organizing Systems (nlin.AO); Data Analysis, Statistics and Probability (physics.data-an)

arXiv:2609.17612 [cs.SD]

(or arXiv:2609.17612v1 [cs.SD] for this version)

Full text under the publisher's open licence · 242 words

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