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This paper establishes rigorous mathematical boundaries for composing quantum unitary steps, demonstrating that while coherent evolution holds from an initial state, it can fail after internal restarts in specific dimensions. By linking these composition failures to the "quantum music paradox," the authors propose a novel framework where unitary operations function as musical notes and temporal boundaries act as rhythmic cues. The work provides necessary-and-sufficient criteria for qubit and qutrit sequences, offering foundational insights into how quantum state machines can model complex temporal structures like music.
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The Quantum Composition Paradox

arXiv3 min read

arXiv:2609.11402v1 Announce Type: new Abstract: Quantum theory does not generally permit the probability laws obtained from individual unitary steps by the Born rule to be sewn into a consistent genealogy; we classify the exceptions and show that faithful composition can hold from an initial boundary yet fail after an internal restart. For finite-dimensional, composition-closed unitary families, universal composition holds exactly for unitary monomials, the phase-dressed permutations whose Born kernels realize reversible deterministic state machines. Prescribed sequences evade this obstruction. We classify all pairs of qubit unitary steps, give a necessary-and-sufficient criterion for pairs of qutrit unitary steps, and prove that a boundary-stable unitary sequence on a $d$-dimensional Hilbert space contains at most $d$ fully mixing steps, with equality in every prime dimension. We also construct arbitrarily long genuinely mixing sequences that compose from their initial boundary but fail after an internal restart, and a qutrit-controlled two-qubit realization with active interference. We define a Born--Chapman--Kolmogorov current that vanishes exactly when coherent and stepwise-checked endpoint laws agree, together with an associated measure of how many bits the endpoint reveals about the intermediate checking schedule. This state-machine connection provides a foundation for a quantum theory of music, in which unitary operations are notes and temporal boundaries are cues. Musical-transition prediction is proved PromiseBQP-complete, and the stepwise patterns that preserve a genealogy specify rules for rhythm, whereas the exceptional failure of that genealogy from an internal cue is the quantum music paradox.

Abstract:Quantum theory does not generally permit the probability laws obtained from individual unitary steps by the Born rule to be sewn into a consistent genealogy; we classify the exceptions and show that faithful composition can hold from an initial boundary yet fail after an internal restart. For finite-dimensional, composition-closed unitary families, universal composition holds exactly for unitary monomials, the phase-dressed permutations whose Born kernels realize reversible deterministic state machines. Prescribed sequences evade this obstruction. We classify all pairs of qubit unitary steps, give a necessary-and-sufficient criterion for pairs of qutrit unitary steps, and prove that a boundary-stable unitary sequence on a $d$-dimensional Hilbert space contains at most $d$ fully mixing steps, with equality in every prime dimension. We also construct arbitrarily long genuinely mixing sequences that compose from their initial boundary but fail after an internal restart, and a qutrit-controlled two-qubit realization with active interference. We define a Born--Chapman--Kolmogorov current that vanishes exactly when coherent and stepwise-checked endpoint laws agree, together with an associated measure of how many bits the endpoint reveals about the intermediate checking schedule. This state-machine connection provides a foundation for a quantum theory of music, in which unitary operations are notes and temporal boundaries are cues. Musical-transition prediction is proved PromiseBQP-complete, and the stepwise patterns that preserve a genealogy specify rules for rhythm, whereas the exceptional failure of that genealogy from an internal cue is the quantum music paradox.

66 pages, 8 figures. Interactive project page: this https URL

arXiv:2609.11402 [quant-ph]

(or arXiv:2609.11402v1 [quant-ph] for this version)

https://doi.org/10.48550/arXiv.2609.11402 Focus to learn more arXiv-issued DOI via DataCite (pending registration)

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Full text under the publisher's open licence · 334 words

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