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This research critically exposes a fundamental flaw in current speech generation metrics, demonstrating that standard emotion embedding similarity often rewards acoustic mimicry rather than genuine emotional synthesis due to representational limitations. By challenging the reliance on tools like emotion2vec without human alignment tests, the study reveals how linguistic and speaker interference can degrade discriminative ability, leading to objective measures that misalign with actual perceptual quality. For developers of expressive text-to-speech systems, this highlights an urgent need for evaluation frameworks that prioritize authentic prosody transfer over superficial acoustic resemblance.
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The False Resonance: A Critical Examination of Emotion Embedding Similarity for Speech Generation Evaluation

arXiv2 min read

arXiv:2604.26347v2 Announce Type: replace-cross Abstract: Objective metrics for emotional expressiveness are vital for speech generation, particularly in expressive synthesis and voice conversion requiring emotional prosody transfer. To quantify this, the field widely relies on emotion similarity between reference and generated samples. This approach computes cosine similarity of embeddings from encoders like emotion2vec, assuming they capture affective cues despite linguistic and speaker variations. We challenge this assumption through controlled adversarial tasks and human alignment tests. Despite high classification accuracy, these latent spaces are unsuitable for zero-shot similarity evaluation. Representational limitations cause linguistic and speaker interference to overshadow emotional features, degrading discriminative ability. Consequently, the metric misaligns with human perception. This acoustic vulnerability reveals it rewards acoustic mimicry over genuine emotional synthesis.

Abstract:Objective metrics for emotional expressiveness are vital for speech generation, particularly in expressive synthesis and voice conversion requiring emotional prosody transfer. To quantify this, the field widely relies on emotion similarity between reference and generated samples. This approach computes cosine similarity of embeddings from encoders like emotion2vec, assuming they capture affective cues despite linguistic and speaker variations. We challenge this assumption through controlled adversarial tasks and human alignment tests. Despite high classification accuracy, these latent spaces are unsuitable for zero-shot similarity evaluation. Representational limitations cause linguistic and speaker interference to overshadow emotional features, degrading discriminative ability. Consequently, the metric misaligns with human perception. This acoustic vulnerability reveals it rewards acoustic mimicry over genuine emotional synthesis.

Audio and Speech Processing (eess.AS); Computation and Language (cs.CL)

arXiv:2604.26347 [eess.AS]

(or arXiv:2604.26347v2 [eess.AS] for this version)

https://doi.org/10.48550/arXiv.2604.26347 Focus to learn more arXiv-issued DOI via DataCite

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Full text under the publisher's open licence · 213 words

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