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This research introduces a novel architectural modification for neural audio codecs by separating signal gain from shape information before encoding. By applying classical decomposition techniques to modern deep learning frameworks, the study achieves significant improvements in bitrate-distortion efficiency and reduces quantizer complexity across multiple prominent models. The work represents a meaningful advancement in optimizing latent space utilization within AI-driven audio compression systems.
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The Equalizer: Introducing Shape-Gain Decomposition in Neural Audio Codecs

arXiv3 min read

arXiv:2602.15491v2 Announce Type: replace-cross Abstract: Neural audio codecs (NACs) typically encode the short-term energy (gain) and normalized structure (shape) of speech/audio signals jointly within the same latent space. As a result, they are poorly robust to a global variation of the input signal level in the sense that such a variation has a strong influence on the embedding vectors at the output of the encoder and their quantization. This methodology is inherently inefficient, leading to codebook redundancy and suboptimal bitrate-distortion performance. To address these limitations, we propose to introduce shape-gain decomposition, widely used in classical speech and audio coding, into the NAC framework. The principle of the proposed Equalizer methodology, easily applicable to any NAC, is to decompose the input signal---before the NAC encoder---into gain and normalized shape vector on a short-term basis. The shape vector is processed by the NAC, while the gain is quantized with scalar quantization and transmitted separately. The output (decoded) signal is reconstructed from the normalized output of the NAC and the quantized gain. Our experiments conducted on speech signals with four different prominent codecs show that this general methodology enables a substantial gain in bitrate-distortion performance, as well as a massive reduction in quantizer complexity.

Abstract:Neural audio codecs (NACs) typically encode the short-term energy (gain) and normalized structure (shape) of speech/audio signals jointly within the same latent space. As a result, they are poorly robust to a global variation of the input signal level in the sense that such a variation has a strong influence on the embedding vectors at the output of the encoder and their quantization. This methodology is inherently inefficient, leading to codebook redundancy and suboptimal bitrate-distortion performance. To address these limitations, we propose to introduce shape-gain decomposition, widely used in classical speech and audio coding, into the NAC framework. The principle of the proposed Equalizer methodology, easily applicable to any NAC, is to decompose the input signal---before the NAC encoder---into gain and normalized shape vector on a short-term basis. The shape vector is processed by the NAC, while the gain is quantized with scalar quantization and transmitted separately. The output (decoded) signal is reconstructed from the normalized output of the NAC and the quantized gain. Our experiments conducted on speech signals with four different prominent codecs show that this general methodology enables a substantial gain in bitrate-distortion performance, as well as a massive reduction in quantizer complexity.

Sound (cs.SD); Artificial Intelligence (cs.AI)

arXiv:2602.15491 [cs.SD]

(or arXiv:2602.15491v2 [cs.SD] for this version)

https://doi.org/10.48550/arXiv.2602.15491 Focus to learn more arXiv-issued DOI via DataCite

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Full text under the publisher's open licence · 290 words

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