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The release of the TASTE dataset addresses a critical gap in AI-generated design by moving beyond single-label photo-style preferences to capture multi-dimensional criteria like typography and layout. This resource provides professional designers with a rigorous benchmark to evaluate text-to-image models, revealing that current off-the-shelf judges struggle to match expert consensus without specialized training. For the community, this establishes a new baseline for developing more nuanced alignment models that respect specific aesthetic axes rather than collapsing them into a generic score.
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TASTE: A Designer-Annotated Multi-Dimensional Preference Dataset for AI-Generated Graphic Design

arXiv2 min read

arXiv:2605.20731v3 Announce Type: replace-cross Abstract: Text-to-image models now generate graphic design at production scale, yet their supervision still comes primarily from photo-style preference datasets with a single overall verdict per comparison. Designers evaluate designs along several distinct axes (e.g., typography, layout, color harmony) that a single preference label collapses. We release \emph{TASTE} \textit{(Typography, Aesthetics, Spatial, Tone, Etc.)}, a multi-dimensional preference dataset in which two disjoint cohorts of five professional designers each ranked outputs from four current text-to-image models across nine criteria along with per-image hallucination flags. We pair the dataset with two contributions. First, a criterion-agnostic signal-validation framework based on Kendall's $\tau$, majority-vote probability, and Condorcet cycles against exact iid-uniform nulls; the analysis reveals significant but moderate designer agreement, with every TASTE criterion rejecting the random-rater null. Second, we benchmark preference models on TASTE and find that off-the-shelf VLM judges and dedicated T2I scorers fail to reach majority agreement with the designer panel, while a small MLP head trained directly on TASTE substantially narrows the gap to the single-rater ceiling, setting a baseline for future TASTE-trained preference models.

Abstract:Text-to-image models now generate graphic design at production scale, yet their supervision still comes primarily from photo-style preference datasets with a single overall verdict per comparison. Designers evaluate designs along several distinct axes (e.g., typography, layout, color harmony) that a single preference label collapses. We release \emph{TASTE} \textit{(Typography, Aesthetics, Spatial, Tone, Etc.)}, a multi-dimensional preference dataset in which two disjoint cohorts of five professional designers each ranked outputs from four current text-to-image models across nine criteria along with per-image hallucination flags. We pair the dataset with two contributions. First, a criterion-agnostic signal-validation framework based on Kendall's $\tau$, majority-vote probability, and Condorcet cycles against exact iid-uniform nulls; the analysis reveals significant but moderate designer agreement, with every TASTE criterion rejecting the random-rater null. Second, we benchmark preference models on TASTE and find that off-the-shelf VLM judges and dedicated T2I scorers fail to reach majority agreement with the designer panel, while a small MLP head trained directly on TASTE substantially narrows the gap to the single-rater ceiling, setting a baseline for future TASTE-trained preference models.

Computer Vision and Pattern Recognition (cs.CV); Artificial Intelligence (cs.AI); Applications (stat.AP)

arXiv:2605.20731 [cs.CV]

(or arXiv:2605.20731v3 [cs.CV] for this version)

https://doi.org/10.48550/arXiv.2605.20731 Focus to learn more arXiv-issued DOI via DataCite

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Full text under the publisher's open licence · 273 words

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