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This paper presents SpanSynth-Edit, a flow-matching model designed for the precise synthesis and editing of multi-instrument audio mixtures conditioned on MIDI data. By utilizing low-frame-rate scalar-quantised latents and instrument-specific timbre guidance, the method enables iterative refinement of musical details while preserving the rest of the mixture. The work addresses key challenges in audio generation by demonstrating competitive performance on benchmarks and offering new insights into within-frame onset control.
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Synthesis and editing of multi-instrument audio mixtures using scalar-quantised latents with MIDI Span conditioning

arXiv2 min read

arXiv:2609.25546v1 Announce Type: cross Abstract: Music creation often involves iterative refinement, changing selected musical details while retaining the rest. To support such refinement, we introduce SpanSynth-Edit, a flow-matching model for MIDI-guided synthesis and editing of multi-instrument audio mixtures using low-frame-rate scalar-quantised latents. MIDI Span encodes instrument-labelled note lifecycles as unordered event sets with continuous-valued attributes and pools each set into one conditioning vector per audio-latent frame. The model uses contextual audio for instrument-specific timbre guidance and supports editing by resynthesising the target region from revised MIDI. Experiments on single- and multi-instrument benchmarks show competitive performance and demonstrate within-frame onset control. We also discuss limitations of transcription-based note-adherence evaluation.

Abstract:Music creation often involves iterative refinement, changing selected musical details while retaining the rest. To support such refinement, we introduce SpanSynth-Edit, a flow-matching model for MIDI-guided synthesis and editing of multi-instrument audio mixtures using low-frame-rate scalar-quantised latents. MIDI Span encodes instrument-labelled note lifecycles as unordered event sets with continuous-valued attributes and pools each set into one conditioning vector per audio-latent frame. The model uses contextual audio for instrument-specific timbre guidance and supports editing by resynthesising the target region from revised MIDI. Experiments on single- and multi-instrument benchmarks show competitive performance and demonstrate within-frame onset control. We also discuss limitations of transcription-based note-adherence evaluation.

13 pages including appendices, 2 figures. Submitted to ICASSP 2027

Sound (cs.SD); Machine Learning (cs.LG); Audio and Speech Processing (eess.AS)

arXiv:2609.25546 [cs.SD]

(or arXiv:2609.25546v1 [cs.SD] for this version)

https://doi.org/10.48550/arXiv.2609.25546 Focus to learn more arXiv-issued DOI via DataCite (pending registration)

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Full text under the publisher's open licence · 214 words

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