aiqbench analysis
SALSA-V introduces a novel masked diffusion architecture that generates highly synchronized, long-form audio from silent video in as few as eight sampling steps. By integrating shortcut loss and random masking techniques, the model achieves near-real-time performance while matching spectral characteristics essential for professional sound design tasks like Foley generation. This advancement addresses critical bottlenecks in audiovisual alignment without requiring dedicated fine-tuning or retraining.
SALSA-V: Shortcut-Augmented Long-form Synchronized Audio from Videos
arXiv:2510.02916v2 Announce Type: replace-cross Abstract: We propose SALSA-V, a multimodal video-to-audio generation model capable of synthesizing highly synchronized, high-fidelity long-form audio from silent video content. Our approach introduces a masked diffusion objective, enabling audio-conditioned generation and the seamless synthesis of unconstrained length audio sequences. Additionally, by integrating a shortcut loss into our training process, we achieve rapid generation of high-quality audio samples in as few as eight sampling steps, paving the way for near-real-time applications without requiring dedicated fine-tuning or retraining. We demonstrate that SALSA-V significantly outperforms existing state-of-the-art methods in both audiovisual alignment and synchronization with video content in quantitative evaluation and a human listening study. Furthermore, our use of random masking during training enables our model to match spectral characteristics of reference audio samples, broadening its applicability to professional audio synthesis tasks such as Foley generation and sound design.
Abstract:We propose SALSA-V, a multimodal video-to-audio generation model capable of synthesizing highly synchronized, high-fidelity long-form audio from silent video content. Our approach introduces a masked diffusion objective, enabling audio-conditioned generation and the seamless synthesis of unconstrained length audio sequences. Additionally, by integrating a shortcut loss into our training process, we achieve rapid generation of high-quality audio samples in as few as eight sampling steps, paving the way for near-real-time applications without requiring dedicated fine-tuning or retraining. We demonstrate that SALSA-V significantly outperforms existing state-of-the-art methods in both audiovisual alignment and synchronization with video content in quantitative evaluation and a human listening study. Furthermore, our use of random masking during training enables our model to match spectral characteristics of reference audio samples, broadening its applicability to professional audio synthesis tasks such as Foley generation and sound design.
Sound (cs.SD); Machine Learning (cs.LG)
arXiv:2510.02916 [cs.SD]
(or arXiv:2510.02916v2 [cs.SD] for this version)
https://doi.org/10.48550/arXiv.2510.02916 Focus to learn more arXiv-issued DOI via DataCite
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