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Open-Qwen-Music establishes a critical research baseline by fully releasing the training data and pipelines for a text-to-music system that integrates large language models with diffusion rendering. This transparency allows the community to independently analyze error propagation across semantic composition and acoustic generation modules, addressing a significant gap in current open-source music AI projects. The release prioritizes reproducible component-level analysis over immediate quality parity claims, setting a new standard for auditable generative audio research.
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Open-Qwen-Music: An Auditable Framework for LLM-Based Music Composition and Diffusion Rendering

arXiv3 min read

arXiv:2609.31652v1 Announce Type: cross Abstract: We present Open-Qwen-Music, an open reconstruction of Qwen-Music and a fully specified research system for text-to-music generation that couples LLM-based semantic composition with diffusion-based acoustic rendering. The system comprises a 25 Hz single-codebook music tokenizer, a 3B-parameter autoregressive Music LLM, and a diffusion renderer producing 48 kHz stereo audio, following the cross-module interfaces reported by Qwen-Music. The strongest systems of this design remain closed, and prominent open music-generation projects release weights and inference code without their training corpora or end-to-end training implementations. This limits independent and controlled study of how information loss and prediction errors propagate from semantic representation through autoregressive planning to acoustic rendering. To our knowledge, Open-Qwen-Music is the first fully open release of an LLM-composition-plus-diffusion-rendering text-to-music system. Beyond model weights and inference code, the release includes the training datasets and provenance manifests, complete data-processing, annotation, training, inference, and evaluation pipelines, configurations, and pretrained weights for every learned module. Artifact manifests bind the identities of these artifacts across the complete workflow. Together, these artifacts establish a reproducible implementation of the modular architecture and provide an empirical basis for component-level analysis and future evaluation. We present the system as a transparent, executable research baseline and a starting point for the community, not as evidence of quality parity with Qwen-Music. Open-Qwen-Music is an ongoing effort, and we will continue to improve its generation quality, controllability, and robustness. All release artifacts are available at https://github.com/biang15343100-source/Open-Qwen-Music.

Abstract:We present Open-Qwen-Music, an open reconstruction of Qwen-Music and a fully specified research system for text-to-music generation that couples LLM-based semantic composition with diffusion-based acoustic rendering. The system comprises a 25 Hz single-codebook music tokenizer, a 3B-parameter autoregressive Music LLM, and a diffusion renderer producing 48 kHz stereo audio, following the cross-module interfaces reported by Qwen-Music. The strongest systems of this design remain closed, and prominent open music-generation projects release weights and inference code without their training corpora or end-to-end training implementations. This limits independent and controlled study of how information loss and prediction errors propagate from semantic representation through autoregressive planning to acoustic rendering. To our knowledge, Open-Qwen-Music is the first fully open release of an LLM-composition-plus-diffusion-rendering text-to-music system. Beyond model weights and inference code, the release includes the training datasets and provenance manifests, complete data-processing, annotation, training, inference, and evaluation pipelines, configurations, and pretrained weights for every learned module. Artifact manifests bind the identities of these artifacts across the complete workflow. Together, these artifacts establish a reproducible implementation of the modular architecture and provide an empirical basis for component-level analysis and future evaluation. We present the system as a transparent, executable research baseline and a starting point for the community, not as evidence of quality parity with Qwen-Music. Open-Qwen-Music is an ongoing effort, and we will continue to improve its generation quality, controllability, and robustness. All release artifacts are available at this https URL.

Sound (cs.SD); Artificial Intelligence (cs.AI); Audio and Speech Processing (eess.AS)

arXiv:2609.31652 [cs.SD]

(or arXiv:2609.31652v1 [cs.SD] for this version)

https://doi.org/10.48550/arXiv.2609.31652 Focus to learn more arXiv-issued DOI via DataCite (pending registration)

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Full text under the publisher's open licence · 337 words

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