aiqbench analysis
This research introduces MACAT and MACataRT, two generative AI systems designed specifically for real-time musical improvisation and co-creative performance with human musicians. By leveraging small datasets and self-listening capabilities, these agents demonstrate how specialized machine learning models can function as interactive partners in artistic workflows rather than just passive tools. The work underscores the potential of agent-led synthesis to expand creative expression while maintaining ethical transparency within high-fidelity audio contexts.
Musical Agent Systems: MACAT and MACataRT
arXiv:2502.00023v2 Announce Type: replace-cross Abstract: Our research explores the development and application of musical agents, human-in-the-loop generative AI systems designed to support music performance and improvisation within co-creative spaces. We introduce MACAT and MACataRT, two distinct musical agent systems crafted to enhance interactive music-making between human musicians and AI. MACAT is optimized for agent-led performance, employing real-time synthesis and self-listening to shape its output autonomously, while MACataRT provides a flexible environment for collaborative improvisation through audio mosaicing and sequence-based learning. Both systems emphasize training on personalized, small datasets, fostering ethical and transparent AI engagement that respects artistic integrity. This research highlights how interactive, artist-centred generative AI can expand creative possibilities, empowering musicians to explore new forms of artistic expression in real-time, performance-driven and music improvisation contexts.
Abstract:Our research explores the development and application of musical agents, human-in-the-loop generative AI systems designed to support music performance and improvisation within co-creative spaces. We introduce MACAT and MACataRT, two distinct musical agent systems crafted to enhance interactive music-making between human musicians and AI. MACAT is optimized for agent-led performance, employing real-time synthesis and self-listening to shape its output autonomously, while MACataRT provides a flexible environment for collaborative improvisation through audio mosaicing and sequence-based learning. Both systems emphasize training on personalized, small datasets, fostering ethical and transparent AI engagement that respects artistic integrity. This research highlights how interactive, artist-centred generative AI can expand creative possibilities, empowering musicians to explore new forms of artistic expression in real-time, performance-driven and music improvisation contexts.
Multiagent Systems (cs.MA); Artificial Intelligence (cs.AI); Human-Computer Interaction (cs.HC); Sound (cs.SD); Audio and Speech Processing (eess.AS)
arXiv:2502.00023 [cs.MA]
(or arXiv:2502.00023v2 [cs.MA] for this version)
https://doi.org/10.48550/arXiv.2502.00023 Focus to learn more arXiv-issued DOI via DataCite
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Full text under the publisher's open licence · 226 words
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