aiqbench analysis
This research advances Vision Transformers by adapting them to handle incomplete visual data, a capability relevant for low-resource or degraded input scenarios in broader computer vision tasks. The study demonstrates that specific architectural modifications, such as foreground-guided masking and inpainting-based regularization, can significantly improve classification accuracy on fragmented datasets without requiring complex graph-fusion overhead. While the application is niche (archaeological fresco analysis), the methodological focus on robustness to partial inputs offers insights for general machine learning resilience.
Fragment-Aware Vision Transformers for Fresco-Fragment Style Classification
arXiv:2609.21012v1 Announce Type: cross Abstract: Artistic style classification is usually studied on complete artworks, where models can exploit global composition, spatial organisation, and iconographic structure. In archaeological settings, however, artworks often survive only as fragmented remains, forcing recognition from incomplete, irregular, and context-limited visual evidence. We study fresco-fragment style classification using a progressive transformer-based framework. Starting from a ViT-B/16 baseline, we introduce foreground-guided masking to suppress background-only tokens, inpainting-based geometric regularisation to align irregular fragment supports with the ViT patch grid, and a supervised contrastive objective that operates on predictive distributions through a Kullback-Leibler similarity and consistently improves every branch. We combine the branches with a deliberately simple learnable logit ensemble. Experiments on CLEOPATRA and POMPAAF show that fragment-aware modelling improves over the standard ViT baseline, with the ensemble increasing accuracy from 0.604 to 0.656 and macro-F1 from 0.596 to 0.648 on CLEOPATRA, and outperforming the best single branch in four of six fragmentation settings on POMPAAF. We additionally evaluate a more complex graph-fusion variant and find that it matches the simple ensemble on POMPAAF while offering only a small, dataset-specific gain on CLEOPATRA, which does not justify its added complexity. Beyond these empirical gains, our contribution is twofold: a distribution-level contrastive objective that consistently sharpens single-branch recognition, and an interpretability analysis that verifies the models exploit genuine painted evidence, while quantifying that the inpainting-based branch draws part of its attribution from the synthesised surround.
Abstract:Artistic style classification is usually studied on complete artworks, where models can exploit global composition, spatial organisation, and iconographic structure. In archaeological settings, however, artworks often survive only as fragmented remains, forcing recognition from incomplete, irregular, and context-limited visual evidence. We study fresco-fragment style classification using a progressive transformer-based framework. Starting from a ViT-B/16 baseline, we introduce foreground-guided masking to suppress background-only tokens, inpainting-based geometric regularisation to align irregular fragment supports with the ViT patch grid, and a supervised contrastive objective that operates on predictive distributions through a Kullback-Leibler similarity and consistently improves every branch. We combine the branches with a deliberately simple learnable logit ensemble. Experiments on CLEOPATRA and POMPAAF show that fragment-aware modelling improves over the standard ViT baseline, with the ensemble increasing accuracy from 0.604 to 0.656 and macro-F1 from 0.596 to 0.648 on CLEOPATRA, and outperforming the best single branch in four of six fragmentation settings on POMPAAF. We additionally evaluate a more complex graph-fusion variant and find that it matches the simple ensemble on POMPAAF while offering only a small, dataset-specific gain on CLEOPATRA, which does not justify its added complexity. Beyond these empirical gains, our contribution is twofold: a distribution-level contrastive objective that consistently sharpens single-branch recognition, and an interpretability analysis that verifies the models exploit genuine painted evidence, while quantifying that the inpainting-based branch draws part of its attribution from the synthesised surround.
Computer Vision and Pattern Recognition (cs.CV); Machine Learning (cs.LG)
arXiv:2609.21012 [cs.CV]
(or arXiv:2609.21012v1 [cs.CV] for this version)
https://doi.org/10.48550/arXiv.2609.21012 Focus to learn more arXiv-issued DOI via DataCite (pending registration)
arXivLabs is a framework that allows collaborators to develop and share new arXiv features directly on our website.
Both individuals and organizations that work with arXivLabs have embraced and accepted our values of openness, community, excellence, and user data privacy. arXiv is committed to these values and only works with partners that adhere to them.
Have an idea for a project that will add value for arXiv's community? Learn more about arXivLabs.
Full text under the publisher's open licence · 330 words
Related coverage
[AINews] OpenAI DevDay 2026: Dots, 6.1 Sol, Ultrafast, Decisions API, Agents API, Spaces, Marketplace, and 1.2 Billion ChatGPT WAU
Latent Space · Sep 30, 2026

Digital States 2026: AI Moves From Experiment to Infrastructure
govtech.com · Sep 24, 2026

Vertical Advantage: Transforming Industries with Lakebase and Agentic AI
Databricks · Aug 27, 2026
Class Activation Mapping in Explainable Computer Vision: A Method-Centered Review of CNN, Transformer, and Foundation-Model-Era Visual Explanations
arXiv · Aug 17, 2026