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This study provides a rigorous methodological framework for auditing vision-language models, demonstrating that macro-level fairness metrics often obscure fine-grained biases and fail to account for archival provenance confounders. By controlling for metadata variables like medium and era, the research reveals that global zero-shot valuation scores operate near an embedding noise floor, challenging assumptions about absolute model fairness in cultural heritage datasets. The findings underscore the critical need for multivariate confound control and equivalence testing when evaluating AI systems on historical collections where institutional survival bias is inherent.
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Disentangling Algorithmic Bias from Archival Artifacts: A Controlled Audit of Vision-Language Model Valuation in Metropolitan Museum Archives

arXiv3 min read

arXiv:2609.17572v1 Announce Type: new Abstract: Auditing vision-language models (VLMs) for societal bias requires distinguishing direct algorithmic valuation disparities from confounders embedded within archival metadata. In this study, we audit Contrastive Language-Image Pretraining (CLIP) models using historical artwork metadata from the Metropolitan Museum of Art Open Access collection (N = 1,500 total objects; N = 743 attributed works: Male n = 534, Female n = 209; n = 618 anonymous). We establish a quantitative audit framework evaluating zero-shot CLIP logit differential scores across three semantic prompt pairs (masterpiece, quality, and influence). Unadjusted evaluations demonstrate high score convergence without a statistically significant main gender effect under OpenAI CLIP (mu_F = -0.0067 vs mu_M = -0.0035, p = 0.1829) or OpenCLIP (mu_F = 0.0171 vs mu_M = 0.0237, p = 0.1224). Two One-Sided Tests (TOST) confirm statistical equivalence across Cohen's d >= 0.25 bounds (pTOST 0.20). High residual embedding variance (R^2 < 2%) indicates that global zero-shot valuation metrics operate near an embedding noise floor, showing that broad zero-shot prompt logit differentials are a coarse measurement instrument rather than proving absolute model fairness. We highlight two key caveats: (i) macro-level score equivalence reflects metric insensitivity to fine-grained visual-semantic features and does not preclude localized micro-level visual biases, and (ii) excluding 41.2% unattributed holdings reflects institutional survival bias. These results demonstrate the necessity of multivariate confound control, equivalence testing, and archival provenance auditing when assessing AI fairness in cultural heritage collections.

Abstract:Auditing vision-language models (VLMs) for societal bias requires distinguishing direct algorithmic valuation disparities from confounders embedded within archival metadata. In this study, we audit Contrastive Language-Image Pretraining (CLIP) models using historical artwork metadata from the Metropolitan Museum of Art Open Access collection (N = 1,500 total objects; N = 743 attributed works: Male n = 534, Female n = 209; n = 618 anonymous). We establish a quantitative audit framework evaluating zero-shot CLIP logit differential scores across three semantic prompt pairs (masterpiece, quality, and influence). Unadjusted evaluations demonstrate high score convergence without a statistically significant main gender effect under OpenAI CLIP (mu_F = -0.0067 vs mu_M = -0.0035, p = 0.1829) or OpenCLIP (mu_F = 0.0171 vs mu_M = 0.0237, p = 0.1224). Two One-Sided Tests (TOST) confirm statistical equivalence across Cohen's d >= 0.25 bounds (pTOST < 0.005). Multivariate OLS regression controlling for artwork medium, creation era, and aspect ratio (R^2 < 0.02) confirms that artist gender has no statistically significant conditional effect (p > 0.20). High residual embedding variance (R^2 < 2%) indicates that global zero-shot valuation metrics operate near an embedding noise floor, showing that broad zero-shot prompt logit differentials are a coarse measurement instrument rather than proving absolute model fairness. We highlight two key caveats: (i) macro-level score equivalence reflects metric insensitivity to fine-grained visual-semantic features and does not preclude localized micro-level visual biases, and (ii) excluding 41.2% unattributed holdings reflects institutional survival bias. These results demonstrate the necessity of multivariate confound control, equivalence testing, and archival provenance auditing when assessing AI fairness in cultural heritage collections.

Machine Learning (cs.LG)

arXiv:2609.17572 [cs.LG]

(or arXiv:2609.17572v1 [cs.LG] for this version)

https://doi.org/10.48550/arXiv.2609.17572 Focus to learn more arXiv-issued DOI via DataCite

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