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This research evaluates the evolving capabilities of generative models in replicating contemporary artistic styles, revealing improved semantic alignment while noting trade-offs in texture and color fidelity compared to earlier iterations. The study highlights that stylistic evaluation is inherently multidimensional and consistent across different large language model architectures when assessed through high-dimensional embedding spaces. By integrating quantitative computer vision metrics with direct feedback from the original artists, the paper provides a rigorous framework for understanding AI's progression in visual art generation.
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Back to Back with a Copy: A Computational Analysis of AI-Generated Visual Contemporary Art Pastiches

arXiv2 min read

arXiv:2607.20127v1 Announce Type: new Abstract: The aim of this paper is twofold. First, it investigates whether newer generative models are getting better at pastiching contemporary artworks. Second, it explores the consistency of the multidimensional nature of stylistic evaluation across different LLMs. Building on previous work, we analyze stylistic similarity between AI generated pastiches and the original artworks of twelve contemporary artists. We used five complementary computer vision models to capture texture, color, semantics, composition, and perceptual features through cosine distance in high-dimensional embedding spaces. The distances obtained show that the newer image generation model that we used has produced pastiches with improved semantic alignment and greater diversity than the model used in previous work. However, it was slightly less performant on shallow features such as color, texture, and perceptual adherence. Our findings confirm that artistic style is inherently multidimensional, and measuring it does not depend on any spatial architecture. These quantitative findings are contextualized through feedback from human evaluators, which are the artists themselves.

Abstract:The aim of this paper is twofold. First, it investigates whether newer generative models are getting better at pastiching contemporary artworks. Second, it explores the consistency of the multidimensional nature of stylistic evaluation across different LLMs. Building on previous work, we analyze stylistic similarity between AI generated pastiches and the original artworks of twelve contemporary artists. We used five complementary computer vision models to capture texture, color, semantics, composition, and perceptual features through cosine distance in high-dimensional embedding spaces. The distances obtained show that the newer image generation model that we used has produced pastiches with improved semantic alignment and greater diversity than the model used in previous work. However, it was slightly less performant on shallow features such as color, texture, and perceptual adherence. Our findings confirm that artistic style is inherently multidimensional, and measuring it does not depend on any spatial architecture. These quantitative findings are contextualized through feedback from human evaluators, which are the artists themselves.

Computation and Language (cs.CL)

arXiv:2607.20127 [cs.CL]

(or arXiv:2607.20127v1 [cs.CL] for this version)

https://doi.org/10.48550/arXiv.2607.20127 Focus to learn more arXiv-issued DOI via DataCite (pending registration)

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Full text under the publisher's open licence · 254 words

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