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This study reveals that both human and AI evaluators exhibit a significant pro-human attribution bias when assessing literary style, with AI models amplifying this tendency by devaluing content labeled as "AI-generated." The findings indicate that AI systems have absorbed cultural biases against artificial creativity during training, systematically inverting assessment criteria based solely on perceived authorship rather than stylistic merit. For the community, this highlights a critical challenge in establishing objective standards for aesthetic judgment and underscores the need to address how alignment procedures reinforce negative human prejudices within machine decision-making.
The human-authorship halo: attribution bias in literary style evaluation by humans and AI
arXiv:2510.08831v2 Announce Type: replace-cross Abstract: As AI writing tools become widespread, we need to understand how both humans and machines evaluate literary style, a domain where objective standards are elusive and judgments are inherently subjective. We conducted controlled experiments using Raymond Queneau's Exercises in Style (1947) to measure attribution bias across evaluators. Study 1 compared human participants (N=556) and AI models (N=13) evaluating literary passages from Queneau versus GPT-4-generated versions under three conditions: blind, accurately labeled, and counterfactually labeled. Study 2 tested bias generalization across a 14x14 matrix of AI evaluators and creators. Both studies revealed systematic pro-human attribution bias. Humans showed +13.7 percentage point (pp) bias (Cohen's h = 0.28, 95% CI: 0.19-0.37), while AI models showed +34.3 percentage point bias (h = 0.70, 95% CI: 0.62-0.78), a 2.5-fold stronger effect (P<0.001). Study 2 confirmed this bias operates across AI architectures (+25.8pp, 95% CI: 24.1-27.6%), demonstrating that AI systems systematically devalue creative content when labeled as "AI-generated" regardless of which AI created it. We also find that attribution labels lead evaluators to invert assessment criteria, with identical features receiving opposing evaluations based solely on perceived authorship. This suggests AI models have absorbed human cultural biases against artificial creativity during training, including through the preference signals on which they are aligned. Our study represents the first controlled comparison of attribution bias between human and artificial evaluators in aesthetic judgment, revealing that AI systems not only replicate but amplify this human tendency.
Abstract:As AI writing tools become widespread, we need to understand how both humans and machines evaluate literary style, a domain where objective standards are elusive and judgments are inherently subjective. We conducted controlled experiments using Raymond Queneau's Exercises in Style (1947) to measure attribution bias across evaluators. Study 1 compared human participants (N=556) and AI models (N=13) evaluating literary passages from Queneau versus GPT-4-generated versions under three conditions: blind, accurately labeled, and counterfactually labeled. Study 2 tested bias generalization across a 14x14 matrix of AI evaluators and creators. Both studies revealed systematic pro-human attribution bias. Humans showed +13.7 percentage point (pp) bias (Cohen's h = 0.28, 95% CI: 0.19-0.37), while AI models showed +34.3 percentage point bias (h = 0.70, 95% CI: 0.62-0.78), a 2.5-fold stronger effect (P<0.001). Study 2 confirmed this bias operates across AI architectures (+25.8pp, 95% CI: 24.1-27.6%), demonstrating that AI systems systematically devalue creative content when labeled as "AI-generated" regardless of which AI created it. We also find that attribution labels lead evaluators to invert assessment criteria, with identical features receiving opposing evaluations based solely on perceived authorship. This suggests AI models have absorbed human cultural biases against artificial creativity during training, including through the preference signals on which they are aligned. Our study represents the first controlled comparison of attribution bias between human and artificial evaluators in aesthetic judgment, revealing that AI systems not only replicate but amplify this human tendency.
70 pages (main text + SI Appendix), 7 main-text figures. v2: revised and retitled after peer review
Artificial Intelligence (cs.AI); Computation and Language (cs.CL); Human-Computer Interaction (cs.HC)
arXiv:2510.08831 [cs.AI]
(or arXiv:2510.08831v2 [cs.AI] for this version)
https://doi.org/10.48550/arXiv.2510.08831 Focus to learn more arXiv-issued DOI via DataCite
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