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This research advances AI-driven music evaluation by demonstrating that contextual embeddings from self-supervised models like Aria and CLaMP3 serve as effective perceptual proxies for human ratings of expressive piano performances. By adapting Kernel Audio Distance to symbolic domains, the study introduces a method sensitive to musical context without requiring note alignment, addressing limitations in traditional attribute-based metrics. The release of the Pereval library provides an open-source toolkit that integrates both shallow and deep feature metrics for more robust generative model selection.
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Integrating Contextual Embeddings into Evaluation of Expressive MIDI Piano Performances

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arXiv:2607.27909v1 Announce Type: cross Abstract: Objective evaluation of expressive MIDI piano performances typically relies on attribute statistics such as timing, velocity, and duration of individual notes. However, these methods often disregard dependencies between notes, which poses a potential limitation in assessing the similarity between two sets of performances. In generative applications, the wide variety of expressive attributes makes it difficult to aggregate them into a single scalar metric for model selection. In this work, we reexamine attribute-scoped metrics and explore the perceptual properties of contextual embeddings from self-supervised symbolic music models, Aria and CLaMP3. Results from our listening study indicate that these models can be used as perceptual proxies, showing agreement with per-sample human ratings on par with traditional metrics. To measure conditional distributional similarity, we adapt Kernel Audio Distance to the symbolic music domain. Unlike Pearson correlation and reconstruction error, kernel-based methods on contextual embeddings do not require note alignment and are sensitive to contextual perturbations. To facilitate reproducibility, we release Pereval, an open-source library that integrates performance evaluation utilities, including both attribute-scoped and deep feature metrics.

Abstract:Objective evaluation of expressive MIDI piano performances typically relies on attribute statistics such as timing, velocity, and duration of individual notes. However, these methods often disregard dependencies between notes, which poses a potential limitation in assessing the similarity between two sets of performances. In generative applications, the wide variety of expressive attributes makes it difficult to aggregate them into a single scalar metric for model selection. In this work, we reexamine attribute-scoped metrics and explore the perceptual properties of contextual embeddings from self-supervised symbolic music models, Aria and CLaMP3. Results from our listening study indicate that these models can be used as perceptual proxies, showing agreement with per-sample human ratings on par with traditional metrics. To measure conditional distributional similarity, we adapt Kernel Audio Distance to the symbolic music domain. Unlike Pearson correlation and reconstruction error, kernel-based methods on contextual embeddings do not require note alignment and are sensitive to contextual perturbations. To facilitate reproducibility, we release Pereval, an open-source library that integrates performance evaluation utilities, including both attribute-scoped and deep feature metrics.

Sound (cs.SD); Machine Learning (cs.LG)

arXiv:2607.27909 [cs.SD]

(or arXiv:2607.27909v1 [cs.SD] for this version)

https://doi.org/10.48550/arXiv.2607.27909 Focus to learn more arXiv-issued DOI via DataCite (pending registration)

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