Dissonance Spectrum explicitly models perceptual frequency interactions for better music understanding

arXiv:2608.25621v1 Announce Type: cross Abstract: Conventional music representations describe acoustic energy over time and frequency but do not explicitly expose relations among simultaneous frequency components. We introduce the \emph{Dissonance Spectrum} (DS), a nonnegative time--frequency representation that applies a tolerance-based rational pitch-relation kernel with logarithmic harmonic distance to a constant-Q spectrum and attributes aggregate pairwise interactions back to individual frequency bins. Controlled music-theory tests show strong ordinal agreement for intervals, harmonic-function connections, and church modes, and weaker but significant agreement across diverse chord voicings. DS is then encoded by a lightweight parallel branch whose zero-initialized residual projection preserves the baseline function at initialization. Across six paired training seeds in open-ended music question answering and categorical and dimensional music emotion recognition, DS obtains the highest mean on every reported endpoint relative to the unchanged baseline, a parameter-matched Gaussian-input branch, and an architecture-matched magnitude-CQT branch. These results support DS as an interpretable, complementary representation, while listener-specific perception and broader task coverage remain open problems.

Abstract:Conventional music representations describe acoustic energy over time and frequency but do not explicitly expose relations among simultaneous frequency components. We introduce the \emph{Dissonance Spectrum} (DS), a nonnegative time--frequency representation that applies a tolerance-based rational pitch-relation kernel with logarithmic harmonic distance to a constant-Q spectrum and attributes aggregate pairwise interactions back to individual frequency bins. Controlled music-theory tests show strong ordinal agreement for intervals, harmonic-function connections, and church modes, and weaker but significant agreement across diverse chord voicings. DS is then encoded by a lightweight parallel branch whose zero-initialized residual projection preserves the baseline function at initialization. Across six paired training seeds in open-ended music question answering and categorical and dimensional music emotion recognition, DS obtains the highest mean on every reported endpoint relative to the unchanged baseline, a parameter-matched Gaussian-input branch, and an architecture-matched magnitude-CQT branch. These results support DS as an interpretable, complementary representation, while listener-specific perception and broader task coverage remain open problems.

Sound (cs.SD); Artificial Intelligence (cs.AI)

arXiv:2608.25621 [cs.SD]

(or arXiv:2608.25621v1 [cs.SD] for this version)

https://doi.org/10.48550/arXiv.2608.25621 Focus to learn more arXiv-issued DOI via DataCite

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Dissonance Spectrum explicitly models perceptual frequency interactions for better music understanding

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