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This paper proposes a graph-based model that represents artworks through interpretable nodes (color, brushstroke, composition, and others) and predicts dominant emotion, with an optional valence-arousal hierarchy. On the EmoArt-5k benchmark, it reports gains over direct inference with Qwen3-VL and InternVL3.5, though the evidence comes from one dataset and emotion labels in art are inherently subjective. For ML readers, the useful takeaway is that explicit structure over visual and semantic features may complement VLMs, which the authors show capture partly different signals.
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Beyond Vision-Language Models: Visual-Semantic Affect Graphs for Emotion Recognition in Artworks

arXiv3 min de cititArticolul și perspectiva sunt în engleză.

arXiv:2610.35244v1 Announce Type: cross Abstract: Emotion recognition in artworks remains challenging because affective meaning is often subjective, implicit, and shaped by relationships between visual form and semantic associations. While vision-language models provide strong multimodal representations, direct image-to-emotion prediction may overlook explicit relations among formal, semantic, and affective cues that support emotional interpretation. This paper proposes Visual-Semantic Affect Graphs (VSAG), a graph-based framework that represents artworks through interpretable feature nodes, including color, brushstroke, composition, light-shadow, line quality, and extracted visual entities. The graph learns feature-emotion associations for dominant emotion prediction, with valence-arousal structure modeled through an optional hierarchical auxiliary affect module. We evaluate VSAG and VSAG-TopK against direct VLM inference using Qwen3-VL and InternVL3.5 on EmoArt-5k. Results show that direct VLMs provide useful but modest baselines, while graph-based models improve dominant emotion prediction. In particular, the hierarchical valence-arousal variant of VSAG achieves the best overall performance, improving accuracy, macro-F1, and weighted-F1 over both direct VLM inference and the emotion-only VSAG baseline. Per-class results indicate that graph-based models and VLMs capture partly complementary signals, while valence-arousal structure is most useful when integrated as a coarse-to-fine affect hierarchy rather than as a simple post-hoc correction. These findings suggest that explicit visual-semantic structure can support both prediction and interpretation in artwork emotion recognition.

Abstract:Emotion recognition in artworks remains challenging because affective meaning is often subjective, implicit, and shaped by relationships between visual form and semantic associations. While vision-language models provide strong multimodal representations, direct image-to-emotion prediction may overlook explicit relations among formal, semantic, and affective cues that support emotional interpretation. This paper proposes Visual-Semantic Affect Graphs (VSAG), a graph-based framework that represents artworks through interpretable feature nodes, including color, brushstroke, composition, light-shadow, line quality, and extracted visual entities. The graph learns feature-emotion associations for dominant emotion prediction, with valence-arousal structure modeled through an optional hierarchical auxiliary affect module. We evaluate VSAG and VSAG-TopK against direct VLM inference using Qwen3-VL and InternVL3.5 on EmoArt-5k. Results show that direct VLMs provide useful but modest baselines, while graph-based models improve dominant emotion prediction. In particular, the hierarchical valence-arousal variant of VSAG achieves the best overall performance, improving accuracy, macro-F1, and weighted-F1 over both direct VLM inference and the emotion-only VSAG baseline. Per-class results indicate that graph-based models and VLMs capture partly complementary signals, while valence-arousal structure is most useful when integrated as a coarse-to-fine affect hierarchy rather than as a simple post-hoc correction. These findings suggest that explicit visual-semantic structure can support both prediction and interpretation in artwork emotion recognition.

Computer Vision and Pattern Recognition (cs.CV); Artificial Intelligence (cs.AI); Computation and Language (cs.CL); Machine Learning (cs.LG)

I.2.6; I.2.4; I.4.8

arXiv:2610.35244 [cs.CV]

(or arXiv:2610.35244v1 [cs.CV] for this version)

https://doi.org/10.48550/arXiv.2610.35244 Focus to learn more arXiv-issued DOI via DataCite (pending registration)

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